Further research on Tadelakt – natural building material

A collation of further research into the process and making and application of Tadelakt. From research this is the most useful information I’ve come across for a complete beginner, I feel I just need the basics and can experiment with the quantities and ratios after my first attempts.

The products I’ve found online that seem most promising for making Tadelakt in England

As the hydrated lime
I did get a little confused by what lime products and such are needed for the process and was close to buying two different products of the same thing but then realised that one is a kind of sticky ‘putty’ and the other a flour like dusty material the Hydrated Lime powder that is available from B&Q and mixed together they make the right stuff for the job!
Apparently any type of natural soap can be used for the burnishing process – preferably ‘black olive oil’ soap so I am going to take a risk and give the Dr Organic olive oil soap a go.

And as for the precious stone, I will go into a local Precious Gem Stone shop in Falmouth and see if they have a smooth palm sized piece either Topaz or Quartz as these are the cheapest of the stone types hard enough to be used in the process.

Sculpture material idea – Tadelakt

So the originally Moroccan natural building material and process of Tadelakt is something I have recently come across while volunteering to build a house in the Beira Baixa province of Portugal. I have never heard it mentioned in England before so it feels very exciting to discover a potential new sculptural material that I don’t think many artist in the UK have explored.

http://www.topcret.com/en/tadelakt-millenary-technique-of-morocco/

“The word Tadelakt comes from the verb “dalaka”, which in Arabic means to rub, to caress, to massage or to flatten. In addition, Tadelakt is the Berber pronunciation of the name Dalk”

https://permaculturenews.org/2019/06/06/slip-straw-earthen-floors-and-tadelakt-a-recipe-for-a-perfectly-natural-home/

So Tadelakt is water proof, natural and can be moulded and shaped around anything and in any shape which just instantly makes me think of how much of an amazing potential this material could have for sculptures, rather than using say metal or concrete or something that won’t decompose plus it can be an outdoor sculpture because it won’t get destroyed in the rain or wind or snow. Also if it does get damaged it could be interesting to sea the change in the colour and weathering it faces especially in a wet place like England opposed to Morocco where it originated!

Photo taken by Carlos Barrero – looks quite Gaudi esk!

Often used in bathrooms because it is water proof.
Made from natural hydraulic lime, quartz and marble. Tadelakt is naturally  white in color and can be pigmented to varying  intensities using natural colour earth pigments  creating   spectacular intense patinas .
Like the building below you can see how glass bottles have been incorporated in the walls made from cob plus other materials like wood have been merged into the walls and building – I could easily do this with sculptures that incorporate other organic matte or waste materials in them, could even hold candles or be used and designed as fire pits or wash bowls.

From what I could find on a quick google search for artists using Tadelakt the below forms were the old art like sculptures that I found! All otherwise were examples of how the material has been used practically with bathrooms and in interior design which suggests that it would be quite an individual material to use for sculpture and art works, plus I believe it is probably easy to paint on.

Things I could make from Tadelakt:

Bowls, plates, cups, mugs, spoons (done around cheap wooden spoons) washing up bowls, extravagant arty bowls and vessels
sinks, baths, general interior
general organic blobby arty sculptures that incorporate glass and wood etc. anything I find
candle holders, extravagant large candle holders

furniture like tables and chairs just by building around existing cheap second hand/found furniture stuff with interesting organic additional shapes or whatever – just be experimental with it!

Organic and interesting shaped plinths for art galleries and artists like those in the image above

Notes:
The natural colour of tadelakt is white and looks quite rustic
You will need natural colour pigments to die the tadelakt mixture which could be found in local clay quarries and I could make my own natural pigments from beetroot or paprika, clay, seaweed etc.
It is a long process so cost a lot of time and effort which means can be sold at high price
I could collect and use clay and mud for the first under layers of cob from local quarries – could be serious part of context and process linking it to Cornwall.
It is a technique that I could become a master of and run workshops in – it is something different that I haven’t heard of sculptural workshops being done in it before!

So in light of this material discovery: yesterday I was to be flying back to England next week, and today I think I might stop in Marrakech for a few days for some photographing, spice hauling and tadelakt researching!

Artist Serena Korda

Interesting performance organised by artist Serena Korda called Missing Time. She explains about the performance in the video and you get a gist of what it must have been like for the participants and listeners.

I really like her comment just before the end about how she used to make political work and strived to make works that were strong political statements but then realised that something more valuable and needed that political statements is making work that shows and creates an environment of magic and kindness which is more important.

live binaural recordings
3 dimensional performance
under magnolia trees
performers amongst the viewers
sound vibrations, frequencies having healing qualities for humans
listening to frequencies of stars, alien activities, space and the ether

” “Missing Time” considers the history and mythology of the High Lines as a “thin place”- a portal to other worlds – while exploring its transformation and invisible histories.”

I like the idea about the thin place, i have never heard this expression before but it makes me think of the thin space above mountains between the earth and the atmosphere, a space of in between and where two worlds meet. The comprehendible and the unliveable places that lye so close to each other at every moment of existence and now due to climate change and the thinning of the ozone layer, theses two environments begin to merge and combine!

Collaboration with a sculpture of nature, the tree – like land art the way we collaborate with earth. Like the involvement of skilled peoples who may not normally be involved with art therefore also changing perspectives and creates questions.

National Trust related – combining sculpture with history and current ideas, pushing perception and understanding, changing the experience of an environment. Similar to the way people have tied rags to ancient trees as a form of worship in Pagan traditions down in secret hidden places in Cornwall – often surrounding ancient wishing wells believed to have magical healing powers. Maybe there is a cross cultural tradition to believe that tying things and materials to trees can bring good and channel magic. It does feel appropriate and right to tie things in and decorate trees when thinking about ecology and nature, wish making and putting value in ecology and ancient knowledge. The trees are smarter than we think.
The ceramic blue bells hung in the tree must have chimed without human involvement – something interesting about abstract instruments like this where humans don’t have to be present and there will be music playing no matter what, whether there are human spectators or not. A collaboration between human, tree and wind. Unpredictable, organic sounds made at own accord, sounds to be heard by nature from humans – gifts back to nature from humans. Can sound help growth of plants and animals and even humans?

I really like her vast array of projects spanning different sights and mediums and people and different group involvements. Also like how some are temporary and some are long lasting and potentially permanently connected to an environment that is always changing and moving out of her control such as the forest – hints of entropy here – the work will inevitably decompose and return to nature as it grows moss, becomes insect homes and are blow off and broken or buried in the ground where the clay originated from. A circle of life, the life of the ceramics make sounds suspended in the AIR, in the SPACE between branches and leaves and their initial purpose dies when the ceramic bells are removed or hit the floor where they do not chime anymore.

interacting with sculpture to further create and extend the stimulation of the senses. I like to create work that crosses boundaries and connects senses like this as well. Getting people together to create together and explore intuition.
The wild mans face on it
carry beer
making music and sounds with domestic objects from the past
people experimenting and jamming with objects not originally designed for the new activity
listening to trees with super sensitive microphones
playing vessels – percussion and completely dependent on the movement and sensitivity of the player. Could animals play instruments or make music some how?

What is it about weather?

What the hell is weather? I can’t seem to put my finger on what it is and why and how it is a thing. The storm hitting Cornwall at the moment is something I find super exciting and energising and fun. The sound of the rain battering the roof of the van while we sleep at night is calming and beautiful and warms my insides in some kind of ironic milkshake of enjoyment and fear. The wind rocking the vans structure is as if the storm is my mother rocking me into dreams of calm. I do not fear the storm due to shelter and we welcome the morning before work by opening the back doors of the van to look out to the stormy sea with our hot coffees and strawberries for an extremely privileged breakfast.
At breakfast however, we both tear up after recalling deeply emotional moments in films about how storms cause loss and expose a true sense of mortality and our minute defence against nature. I speak of the film ‘A drift” and he about “Cast Away’, our brains totally convinced by the footage and struck by its ability to portray the vulnerability of humans at sea but also the determination of people to survive when it would be so easy to die.

Who do we think we are? At the moment, the power of the sea and massive waves and storms out in the open ocean are popular topic while we drink out coffees at Stones Bakery, maybe this is because I hang out with surfers or maybe it is because our animal instincts are trying to tell us something is coming!
I went to a talk by Falmouth and Penryn’s Extinction Rebellion group two nights ago and they slammed us with reality checks and made me feel like if I wasn’t fighting and standing with Extinction Rebellion then what ever I was doing instead was immoral and fair play to them. It was harrowing and REAL and also felt pretty apocalyptic which makes me think, maybe it doesn’t feel apocalyptic, maybe it is apocalyptic and really life as we know it will not be the same for our children when they can’t go to Africa on holiday, neither South America or Australia or Portugal because the temperature is unbearable and humans can’t survive there. This year many countries have seen the hottest summers and temperatures ever recorded and it was 50 degrees Celsius somewhere in India which is stupid hot. The people of the Southern Hemisphere are on their way North because of either environmental crisis, and/or political crisis and are the people who really can answer the questions on the affects of Climate Change and I sat with my boyfriend in the van on the headland drinking coffee talking and fantasising about the trauma in films and stories of environmental disaster and storms that nearly destroyed people, where as the real story is going on now and it definitely isn’t a story.

It really feels now that I need to do something. Whether its local or over seas help, I feel I need to give help some how. I am interested in helping indigenous people who’s culture and land is being destroyed by development to benefit the West or help those indigenous communities being affected by Climate Change that they played no part in causing because they are the earth’s keepers and deserve more than destruction for something they had nothing to do with.

Last year
Last month

Kestle Barton & alternative communities

Paul Chaney website: http://www.paulchaney.co.uk/
Interesting snippet form page about his current work at Goonhilly Earth Centre, Cornwall…

I’ve never considered that of course the land that is left and therefor available for communities and people in need is the waste land and ruined land that has been destroyed for some other reason and cast out of value, ie the dregs of land.

Kestle Barton (http://www.kestlebarton.co.uk/) the small art space near Helford Passage in Cornwall does a good job at covering interesting and needed subjects through art and bringing people together for discussion and learning! Which is the direction I hope contemporary art goes; not just down here in the Celtic country but up country and in Urban areas also.
This series of talks and events led by experts in the field of low impact development have been happening throughout July but I’ve only just heard about them, so I’ll go to the last one on Sunday.

Really positive that these talks will inform people about the legal side of development and the realistic side of how we can push this movement for the better of the natural world and wellbeing of society – this sort of thing needs to be repeated throughout art centres and in schools and businesses everywhere – good idea to set something like this up – pushing adult forest school kind of stuff – the direction art is heading towards community development and engagement and so on.


What is the Steward Wood phenomena then?

By the look of things they are going through some issues with land ownership similar to the issues Native American and Canadian groups constant face and are battling with. The authorities and government have and continue to totally screw over Natives and demolish their rights to acres and acres of forests that have been their homes and place of worship for thousands of years long before colonialism.

Obviously there are huge differences and it is highly problematic to liken Native Americans and Canadians with this story of Steward Wood but what is similar is the forever discarded kindness and possible symbiosis of humans living very closely to nature. It seems this argument and belief is never heard, valued or seen as a worthy cause.

People who have found a way of living beside and with nature, found their groove and want to maintain and improve that relationship that is more sustainable and hopefully not harmful for the environment. An example and one of the first of this kind of movement – setting an example for the rest of us.

“misunderstood intentions and ideologies”

“sociopolitical conditions leading to the formation of precarious intensional communities under the conditions of late capitalism”

“Nimbyism” ??????

So it’s just about some kind of structure being somewhere that people living in the area aren’t a fan of even if it doesn’t directly affect them.
steward wood
https://www.lowimpact.org/you-can-help-a-low-impact-off-grid-community-obtain-permanent-planning-permission/

What is “grassroots social practice”?

– Movements from the ground up, starting at the ‘bottom of society’ hence the roots idea.

I think it would be good for us all to attend such talks with such dense reasoning and honesty for the benefit of simply understanding. Knowledge gives way to change.

Dia-freedom

Lamoine, the ancestor of freedom

consider instructions and order of science and introduce, collabortate instructions and diagrams and order into drawings and collages representing freedom.

the usefulness of diagrams and instructions

Art should represent its relationship with science
Art and science – art and diagram

Diagram often suggest the presence of line and order
are line drawings diagrams
strong line and look drawing
diagrammatic essence
demonstrating the properties of such, not the essence or feeling

The image above was from a Graphics help book I found for free outside the library ages ago and this images from it has reoccured in my thoughts and inspiration since. It has just been transferred and transferred into piles of paper each time I start a new project – never gets forgotten or left behind and i still don’t know why…

The way it maps the image capturing an organic moment is intriguing and combines human order and our diagrammatic obsession with an image captured outside in a moment that lacks control or predetermination as it is a photo of people in a bog disturbing a crocodile.

The initial combination of artistic layers is juxtaposing and I’d like to try to recreate this with some of my own photographs or stills from films – interesting element that films have been orchestrated – maybe I should take photos of the public at random? But again like in previous debates I’ve had with myself; any photo taken is determined and passed through the eye of the person behind the camera so can never be unbiased to subject or shot unless done blindfolded?
— Interesting idea to study people blindfolded or under certain set conditions that avoid prejudice.

A mATTER oF vIBRANcY

Collaborative active space made between myself and artist Olivia Brelsford-Massey (Instagram link: https://www.instagram.com/dharmachums/)

environment to explore through the senses of choice
revealing forgotten memories and lost feelings, the space awaits the arrival of gathered warmth through interactions and shared emotions
stimulates and awakens the essence of a place long gone but rebounds into a dimension stitched to the potent potential future



where instruments are made from seed pods and car tires and energy is harnessed from potatoes; dreams can be woven in straw, ceramic talismans can spin on a record deck to cast a beat, spaghetti is thrown at flatscreen TVs, compost bins are emotive and spices can be ground and mixed by visitors then a landscape like this can call all beings and reach each sense carrying you with movement, smell, sight and sound and waters tested for future civilisation

the symbiotic realm of the vibrant materials and technology frozen in this sculptural landscape craw with fungi and magic
disparate realms align through the collaged sculptures and objects representing the collation and layering of stories in todays multicultural connected world


play and time sinks to the speed of feet
smell and countries collide
think and the future arrives


fOREST cHURCH —— BBC Podcast by Beyond Belief

https://www.bbc.co.uk/sounds/play/m00075jl?fbclid=IwAR24sNHTjBv55ckC-1eZcwMem5WG8ThFwkI6LRKClvP7wm3sDZL0i42OauI

deeper senses, deeper flow,, deeper feeling and connection
different trees represent different things in all religions

Paganism is an ancient religion and people seem to be

radical awe to our relationship to god

forest bathing – out in the woods, cleansing, touching the trees

theres a lot of people leaving the church as its uncomfortable for them and moving to more earth beliefs and spirituality

forest church

people’s stress levels lower in the forest than in the church – science is now pushing this and supporting this

increase canopy cover, decrease prescriptions for depression

immune system improved outside

the forest church is spreading, the movement at the moment with people trying to connect to nature further

trees communicate through the roots, Ewe trees communicate through fungus, they release pheromones to warn other trees about risks and predators and send electrical signals to other trees suggesting maybe they send and communicate with us as well which is why we feel so much more at ease when in the woods, it was where we lived and settled for thousands of years in some parts of the world, we are deeply connected to them!

we live on a very short time scale compared to trees so how can we really know or feel into understanding them, they are different creatures to us, we will never see the result of those trees by one person

we need to stop assuming we are the most intelligent beings on this earth, need to respect all the other intelligence around us

we could not survive as a race without trees

the Rowan tree has much spiritual connection in Celtic mythology is a very important tree, it is always represented as the tree that protects you from magic and holds much of its own magic, sign of magic occurring or protection against magic